Mrs. Stoddard is terribly worried — all day, every day, and especially at night.
Was Uncle Roger driving the car that hit the man on the road, and did he and local painter Sam Evans collude to send Burke Devlin to prison for manslaughter?
Will Cousin Barnabas be cured by Dr. Hoffman’s secret injections, or will he continue to be cursed by the witch Angelique throughout eternity?
Stop by my house around 7 p.m. most weekday evenings, and you can learn the answers to these burning questions and more because we have become absolutely hooked on watching reruns of the campy 1960s soap opera “Dark Shadows.”
Set on the sprawling Collins family estate in a sleepy Maine fishing village bearing the family name, screen legend Joan Bennett, still a great beauty well past the height of her starlet career, headed an otherwise largely unknown cast in the role of matriarch Elizabeth Collins Stoddard in the series which ran daily on ABC from 1966 to 1971. It had more than a few children scrambling off the school bus to get seated in front of the console TV.
Rumor has it that Bennett was second or third in line to play Scarlet O’Hara in “Gone with the Wind,” but she had a number of leading roles all her own before she became the mistress of Collinwood. “Dark Shadows” was a fairly low-budget, skeleton crew operation in many ways, and interviews with the actors reveal many of them knew they were not doing their best work on the show. They forgot and botched as many lines as they delivered; occasionally a member of the crew wandered into the shot, but the film usually kept rolling.
The plot revolves around an unlikely combination of almost every horror story ever told, with vampires competing against werewolves and well-intentioned ancestral ghosts trying to help their progeny thwart poltergeists and warlocks. And yet, as unlikely as it seems, “Dark Shadows” became a cult classic. Somehow I missed it the first time, but we are totally addicted to it now, having gone through all 1,200-plus episodes once a few years ago and now finding ourselves at episode 300 our second time through.
Will Maggie Evans give into Barnabas’s sinister longings? Is Quinten Collins really the werewolf? And will poor Mrs. Stoddard ever get a good night’s sleep, even after she learns she didn’t really kill her husband and he hasn’t been buried in the basement for 18 years? Somehow, their problems put mine right into perspective.
The series started in black-and-white, but changed to color fairly early in its run. I can’t figure out how to get the DVD player out of black-and-white mode, however, so it looks like this time we will see the whole series in shadows. Honestly, I think I like it better this way. Sometimes being technologically challenged can actually work in our favor!
Email reaches former Columbus resident David Creel at [email protected].
The Dispatch Editorial Board is made up of publisher Peter Imes, columnist Slim Smith, managing editor Zack Plair and senior newsroom staff.
You can help your community
Quality, in-depth journalism is essential to a healthy community. The Dispatch brings you the most complete reporting and insightful commentary in the Golden Triangle, but we need your help to continue our efforts. In the past week, our reporters have posted 43 articles to cdispatch.com. Please consider subscribing to our website for only $2.30 per week to help support local journalism and our community.